Case file — 04← Back to index
Brand & Digital Foundations · Audiovisual Stories

Graphic world-building for a Belgian TV series.

Series Cover created for F*** You Very, Very Much Season 2

Art direction and in-universe graphic design for Season 2 of F** You Very, Very Much*, from packaging and props to signage and on-screen interfaces.

  • ClientF*** You Very, Very Much / production art department
  • SectorEntertainment / TV / Production design
  • ScopeArt direction , Graphic design, On-screen graphics, World-building, Production support
  • Year2024
01
The challenge

The challenge was to build a large volume of in-universe graphic elements that felt native to the series rather than designed for display. Everything needed to support character, tone, and story world — raw, local, slightly chaotic, and emotionally charged — while working under tight production timelines.

Graphic world-building for a Belgian TV series
Plate I — Graphic world-building for a Belgian TV series
02
The response

We treated the project as world-building through graphic design. Working closely with the production designer and on-set teams, we created assets that felt lived-in, layered, and specific to the universe of the show. The visual language drew from Belgian pop and club culture, early internet-era interfaces, DIY zine aesthetics, nostalgic 2000s typography, and familiar everyday brands with a twist.

Graphic world-building for a Belgian TV series
Graphic world-building for a Belgian TV series
Graphic world-building for a Belgian TV series
Graphic world-building for a Belgian TV series
Graphic world-building for a Belgian TV series
Graphic world-building for a Belgian TV series
Graphic world-building for a Belgian TV series
Graphic world-building for a Belgian TV series
Graphic world-building for a Belgian TV series
Graphic world-building for a Belgian TV series
Graphic world-building for a Belgian TV series
03
Selected outputs
  1. 01in-universe branding and visual props.
  2. 02poster and flyer design.
  3. 03packaging and fake product graphics.
  4. 04phone screens, app UIs, and on-screen graphics.
  5. 05typographic treatments and signage.
  6. 06collaboration with production design and on-set teams.
Impact —
The work helped give the series a more distinctive and convincing visual world. Season 2 received six nominations at the 2024 Ensors, including Best Art Direction — recognition tied to the broader visual universe the team helped build.
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